Working Fictions: A Genealogy of the Victorian Novel by Carolyn Lesjak

By Carolyn Lesjak

Working Fictions takes as its element of departure the typical and painful fact that the majority of people toil for a salary and barely for his or her personal leisure or delight. during this remarkable reconceptualization of Victorian literary background, Carolyn Lesjak interrogates the connection among exertions and delight, thoughts that have been significant to the Victorian mind's eye and the literary output of the period. in the course of the production of a brand new family tree of the “labor novel,” Lesjak demanding situations the present assumption in regards to the portrayal of labor in Victorian fiction, specifically that it disappears with the autumn from prominence of the commercial novel. She proposes that the “problematic of work” persists in the course of the 19th century and maintains to animate texts as assorted as Elizabeth Gaskell’s Mary Barton, George Eliot’s Felix Holt and Daniel Deronda, Charles Dickens’s Great Expectations, and the essays and literary paintings of William Morris and Oscar Wilde.

Lesjak demonstrates how the ideological paintings of the literature of the Victorian period, the “golden age of the novel,” revolved round setting apart the domain names of work and enjoyment and emphasizing the latter because the right realm of literary illustration. She unearths how the utopian works of Morris and Wilde grapple with this divide and try to think new relationships among paintings and delight, relationships that may let a destiny during which paintings isn't the antithesis of delight. In Working Fictions, Lesjak argues for the modern relevance of the “labor novel,” suggesting that inside of its pages lie assets with which to confront the gulf among paintings and delight that keeps to signify our international today.

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